![]() Directors Jaume Balaguero and Kevin Gates add to the discourse about the movie’s controversy, influences, and legacy. Deodato reveals he got the idea for the film from wanting to explore the uncensored experience of journalists after his son asked him to turn off the news. ![]() Ruggero Deodato’s “Cannibal Holocaust” took “found footage” to the next level in “realistic” horror. Other interviewees, including producer Jennifer Handorf, discuss how the subgenre evolved through Italian mondo movies, experimental cinema verite, and “shockumentaries” based on global travel. Interviewees liken the cinematic conceit to comparable formats in literature, radio, and early horror films including “Dracula” and “War of the Worlds.”Īcademic Shellie McMurdo identifies 1960’s “Peeping Tom” as one of the first films to directly involve the camera in its narrative. Writer Sean Hogan, author Alexandra Heller-Nicholas, and directors Patrick Brice, Derek Lee, Dean Alioto, Andre Ovredal, Eduardo Sanchez, Michael Goi, James Cullen Bressack, Stephen Volk, Stefan Avalos, Lance Weiler, Steven DeGennaro, Yoav and Doron Paz, Kipp Tribble, Robert Savage, Clif Prowse, and Richard Raaphorst define what “found footage” filmmaking is while also explaining how it functions.
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